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Professional Stained Glass | Stained Glass Articles | Stained Glass Supplies | Glass Artists Forum | Stained Glass Tools | Art Glass |
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BetterStainedGlass.Com
Welcome to your |
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NEWSLETTER + VIDEOS + PRO-TOOLS + SUPPLIES + LINKS |
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Email: david@gommstudios.com |
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You can read our current newsletter here on-line each month, free of charge. We hope you will take the opportunity to let your stained glass artist friends know about the newsletter and if you have students, encourage them to read it. If you'd like a reminder when a new issue is published simply send us your e-mail address. In the meantime, we welcome your input and support. Let us know if you have tips and techniques or product information you'd like to share. |
Last month we had a great deal of work
to do and no one wanted to do it! With the holiday preparations, we
really had to work to stay focused on the business at times when we
didn't want to.
We did get some great work done. 3 ovals with beveled panels in them were especially nice, I'd even like them in my own home! We also got work done for a bathroom which was remodeled and a model home. It is the greatest feeling, to have more work than you can handle. You never have to wonder what to do next. |
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I am firmly convinced that the main
difference between an amateur and a professional is that a professional
will recognize and fix mistakes. An amateur may not even know they've
made a mistake and won't fix it if they recognize the fact.
I hope that everyone who has ever taken a class from us has been exposed to our philosophy. If not, you may want to read "Don't Be Like Milo." In an effort to help others to fix or repair mistakes, I thought I would go over the techniques for repairing windows. This is a simple one piece repair, not like the major damage we showed how to repair in last October's newsletter. |
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Repairing A Broken Piece Of Glass |
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Here is a scratch or the start of a break. It might have been caused by excess heat or a flaw in the glass. It's been circled with pen so you can see it more readily. | ||
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To replace the piece, we start by scoring the piece to be replaced many times. First one direction, | ||
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and then the other. | ||
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Then I tap from the bottom to loosen the pieces of glass. Notice that I place a garbage can below the repair to catch the debris and save myself some clean up. | ||
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I continue to tap until several pieces of glass are ready to pop out. I don't want to be too aggressive at this stage because I don't want to create pressure against the surrounding pieces of glass, or they might break. | ||
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Now I heat up a soldering iron and begin to heat the old joint, melting the solder and allowing it to drip into the garbage below. I usually flux the area needed to be melted just to encourage the solder to melt more readily. I try to direct more heat onto the side of the joint that I'm replacing to reduce the likelihood of breaking the neighboring pieces of glass. | ||
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After I melt as much of the solder away as I can, I flip the panel over and melt the other side the same way. (See the ball of solder resting on an adjoining piece of glass, that could create a hot spot and break the glass, so avoid that condition). | ||
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Now that most of the solder is removed and only copper foil is left to hold the pieces in the window, I begin to gently break and remove the pieces. I use great care not to damage the foil any more than necessary because if I don't damage the foil on the adjoining pieces, I can reuse it and save myself some work. | ||
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Once all the pieces of glass are removed, I grip the unwanted foil that encased the removed piece of glass with pliers. Pulling gently on the foil at all times, I work the soldering iron around the entire piece, allowing the old solder to melt and release the unwanted foil from the surrounding foil. | ||
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When I'm done, I have a pretty clean opening. If any
of the foil is damaged, I clean the area and replace it.
If this is an art glass piece you may need to create a pattern piece by placing poster board or paper under the opening and tracing it. Then cut out new glass as you normally would.
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Now I set the new piece of glass in place. See the small piece of pink glass in the center, that's to keep the new piece of glass at the same height as the rest of the panel. (You can use any color of glass as a shim!) | ||
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With the glass in place, I'm ready to flux and solder. | ||
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I touch the iron to a place where the pieces line up perfectly and lightly tack them. Then I can rock the other side gently until it lines up perfectly. I do this just often enough to get the piece in place and lined up with the surrounding pieces. | ||
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Once the new piece is tacked in place, I remove the shim to keep it from creating unwanted pressure points. Now I solder the piece back in place. I keep my iron at a lower heat setting and quickly span the air gap with melted solder. After I have the gap filled, I don't have to be as careful with the extra heat, because the solder won't be as easy to run through to the other side. (When the gap is so large that solder runs through, I will fill the gap with an extra piece of copper foil.) | ||
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The I flip the window over and solder the other side. | ||
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Here, Jeanne cleans the window and dries it
thoroughly, then applies a fresh coating of patina.
And it looks as good as new! |
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NEWSLETTER + VIDEOS + PRO-TOOLS + SUPPLIES + LINKS |
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Email: david@gommstudios.com |